Murder Before Evensong: The instant no. 1 Sunday Times bestseller (Canon Clement Mystery)

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I also could’ve done with some explanation on specific church terms. I’m interested in Protestantism and Catholicism, but didn’t have much knowledge on the Anglican Church. A lot of the terms used I was therefore unfamiliar with. On top of that a lot of vocabulary used I didn’t quite get the hang of either. This is largely due to me not being a native English speaker, or me not being familiar with Latin phrases, but the way the sentences were structured definitely didn’t help either. A lot of (to me seemingly) posh words were bundled up in huge sentences. Initially I re-read these sections, but as I started to realise there wasn’t much important information to be found I started skimming over them instead. It therefore wasn’t as accessible as other cozy crime novels would be. The book started well and the initial murder was sufficiently well carried out to spark my interest but then the book really sagged. The story wasn’t bad but there was just so much detail that the plot became bogged down. The story was set in the late eighties and this was primarily established by many updates about what Daniel and his mother were watching on TV. There was just too much incidental information that did nothing to give us extra information about the characters or the plot.

This is very much a cosy mystery, with the central character, Canon Daniel Clement, Rector of Champton St Mary, with echoes of St Mary Mead, and a cast of characters which includes the Big House and Lord de Floures, as well as Daniel’s widowed mother and his actor brother. This is set within living memory of the Second World War, (from television shows mentioned, I put it at the early Eighties, but I may be wrong,) and the village housed many of the Free French, who have left their mark behind. Champton joins St Mary Mead and Midsomer in the great atlas of fictional English villages where the crimes are as dastardly as the residents delightful’ But between a family of idle aristocrats, embittered clam frogs and the son of a punk-looking Lord, he has a good range of suspects. English villages are notorious havens for murderers – think of all the untimely deaths to have taken place across the county of Midsomer or in Agatha Raisin’s new home of Carsely in the Cotswolds. Now, with a nod to its most famous predecessor, Miss Marple’s home of St Mary Mead, the quintessentially English village of Champton joins the fray. “Two murders… in as many weeks. That must surely be way above the odds for an English country village, even St Mary Mead. What on earth is going on?” says the daughter of one of the victims.A dispute over installing a toilet at the church where the main people campaigning against were middle aged / elderly women? Too ridiculous for words. The Rector of Champton, Canon Daniel Clement is lives with Audrey, his widowed mother and his two dachshunds, Cosmo and Hilda in the Rectory. The big news in the parish is the announcement of a new toilet in the church which seems to cause more rumpus than anyone expected. Throw in some tonally-jarring casual mentions of animal death and the 2-star rating is cemented. Whether you're a cat person, a dog person or a rabbit person, you're guaranteed to feel a little twinge of pointless distress at some point along the way. But despite all this, I enjoyed the book quite a bit. It is well-written and smart with a touch of humour. Overall, a pretty good debut and, if this is the start of a series, I would happily read more of Canon Daniel Clement’s crime-solving adventures in future books.

MANY clergy, in full retreat from a life of remorseless professional benignity, acquire a taste for murder of the fictional variety. Richard Coles ( Feature, 17 June) has relinquished parish ministry to write a murder mystery — the first in a trilogy — featuring an involuntary clerical sleuth, Canon Daniel Clement, AKC, Rector of the rural parish of Champton St Mary. Oh dear, obviously I read a completely different book to all the celebrities who have written glowing endorsements of this book. I was hoping (given The Reverend Richard Coles' past life and amusing anecdotes) for something like Richard Osman's Thursday Murder Club books, but featuring a rector, alas it was not to be. I kept reading right to the end but the style didn't change. I don't think I will be requesting the next book. It was bad. I already mentioned the indistinguishable characters, but what about the poor dialogues? They were terrible.

Canon Daniel Clement is Rector of Champton, a small village with its own stately home owned by Bernard de Floures. The most exciting thing to happen in Champton is the argument as to whether the church should install a lavatory or a buttery for the flower arrangers, then Bernard de Floures' alcoholic cousin is found by Daniel, murdered in one of the pews, with a pair of secateurs no less! But no sooner have the press departed to pastures new and the village returned to some sort of normality, than another body is found floating in the lake. Second, this was like some nineteenth century novel that you got forced to read at school, billed as a funny detective story. There was an interminable amount of detail about the life of a rector, the prayers, the ceremonies, and a lot in Latin which meant nothing to me. In addition, frankly there are absolutely no clues whatsoever to help the reader guess the murderer and the identification of the murderer comes out of left-field. Half of Daniel's (and his mother's) thoughts went straight over my head, too obtuse and loaded with religious terminology. So much was over-explained, like the past of characters or the surroundings of an area. This really didn’t add anything to the narrative whatsoever. I still found most characters very bland, their pasts barely reflected who they were in the present. The church events or religious pondering felt particularly unnecessary to the plot. In the early stages of this book the biblical references served to link those stories to the world of Champton. I really liked that approach. Gradually the book resorted to simply telling us all about specific church services. Funerals were written about in a detailed way, complete with Bible quotes, and prayers were written out fully. I get why this is important to Coles, or to Daniel, but it didn’t serve the plot in any way.

Also, huge props to the editor who saw the dialogue line "Why would anyone murder Bob?" and inserted a tidy comma to make it "Why would anyone murder, Bob?" despite Bob not being in the conversation due to having been, er, murdered. (Quoted from memory and name changed to avoid spoilers.) I’m pretty sure I read most of this book without actually reading it, because I couldn’t bother. Most of the story is about the daily occurrences of the parish and there is no crime investigation. Sure, murders do happen, but, contrary to what I thought, this is not a story where the vicar, rectory, or whatever, investigates them. He just stays there, doing what he normally does, until the last chapters of the book, where he has a certain, I don’t know, realisation?, and he knows exactly who the murderer is. And I can assure you it is nearly impossible to guess in this instance. It could be anyone from this cast of indistinguishable characters, or no one, because there doesn’t seem to be any discernible motive. Murder Before Evensong is a gentle and humorous read.
The characters and the setting are all an absolute joy. This book simply didn’t know what it wanted to be; diaries of a reverend, a murder mystery, or a comedic twist on church life. Blending it all together means we’ve got a murder mystery that doesn’t center murders, a comedic plot that never develops, and detailed descriptions of church services which feel too lengthy and out of place. What was with all the pretentious words/phrases? For the first chapter or two I didn't mind. Oh how nice I thought, it's not dumbed down. Then the novelty wore off. As readers we were expected to be familiar with a load of French and Latin phrases and some pretty hard vocab. I didn't understand why; I can't imagine the cast of characters would really have used that language, so maybe it was just the author showing off. Whatever it was, it was quite annoying. There were also a lot of historical and literary references and ecclesiastical terminology.First, when exactly was this book set, I'm sure if I could be bothered to piece together the clues I could work it out, late 1980s/early 1990s? There is no indication (that I can see) as to when it is set, which is hugely discombobulating to the reader who imagines it must be present day. As detailed as a lot was, some other aspects could’ve done with more elaboration. Midway through this book Eurovision with Celine Dion was mentioned. It was only then that I recalled a podcast with Richard Coles, where he explained his book was set in the 80’s. This is not mentioned anywhere, neither in the book itself nor the blurb. What’s the point of a historic setting if this isn’t mentioned anywhere? If you like your murder mystery to contain any degree of sleuthing, you may be bemused. Events seem to unfold around Canon Clement without him taking even a cursory interest. A cosy crime novel by ex Communards musician Reverend Richard Coles. This was a decent read and a solid start to the Canon Clement series that left me thinking that it has a lot more to offer. We get a good insight into the characters and the novel was well written making it an entertaining read. I was really looking forward to reading this book. I like the author, Richard Coles and am always on the look out for a new crime series so this book based around the Rector of a small English village sounded perfect. It was a bit disappointing though.

I relished looking forward to reading this one; it was everything I hoped – an utter delight from beginning to end! Canon Daniel Clement is Rector of Champton. He has been there for eight years, living at the Rectory alongside his widowed mother – opinionated, fearless, ever-so-slightly annoying Audrey – and his two dachshunds, Cosmo and Hilda.When Daniel announces a plan to install a lavatory in church, the parish is suddenly (and unexpectedly) divided: as lines are drawn, long-buried secrets come dangerously close to destroying the apparent calm of the village.